Sheep was born from long-simmering exasperation—the quiet subjugation women absorb over time — the kind woven through family, faith, and false codes we’re told to honor.

I wanted to explore the moral high-wire acts that, in storytelling, are usually reserved for men. What do loyalty or integrity even mean—or matter—when every choice is a losing hand? A familiar game to women. In truth, it became part therapy, part rebellion—an attempt to decode my family’s particular brand of dysfunction while rewriting a genre that’s long used women as props — the mob

My writing stems from deep introspection on character, coupled with themes rooted in childhood—how people learn to survive danger, silence, and betrayal long before the world sees them as such—while mastering the façade of normalcy required to go unnoticed. Rather than centering violence as spectacle, Sheep dives into the psychological web of betrayals that shape us and exposes the rot disguised as loyalty.